Motion

June 24, 2016

Four images of a wheat field while the sun sets with the camera panning in motion with a long exposure.

Bear River and Clay Slough

May 19, 2016

I've gone out several times over the past weeks, around Benson, and the Cutler Marsh, and I'm feeling like I'm really getting to know the Bear River and Cache Valley on a deeper level, though there's still so much more to discover.

I also bought a 6x9 medium format rangefinder recently, and it's been fun getting back into film photography, even though I haven't gotten any of the film developed yet. It's been nice to have to slow down and not take the "shotgun approach" that digital can allow you to take. I've noticed I approach the photographed scene just slightly differently with film. I'm sure the focal length of the lens and the fact that it's a rangefinder with no light meter has something to do with this change.

Here are some photos from the last few outings.

Tree Blown by the Breeze, Bear River, Benson, Utah, 2016

Irrigation Pump House, Clay Slough, Utah, 2016

Parking Lot and Sign Post, Clay Slough, Utah, 2016

Benson

April 13, 2016

On Saturday evening we drove out to Benson again so I could photograph. Here are a some of the evening's fruits:

Cottowoods, Bear River, Benson, Utah, 2016

Live and Fallen Cottonwood Trees, Benson, Utah, 2016

Cottonwood Trees on the Banks of Bear River, Benson, Utah, 2016

Latest Efforts

March 11, 2016

In my last post, I lamented how I felt I'd turned my back on my photographic education and friends and mentors I made and gained along the way, and I said I wanted to change that. I also mentioned that I went out last Saturday with the sole purpose of making photographs. Here are my two favorites from that evening:

Boat Launch, Bear River, Benson, Utah, 2016 — Boat Launch, Bear River, Benson, Utah, 2016

Cutler Marsh Near Benson Marina, Cache Valley, Utah, 2016

Last night Gina and I loaded up the car and headed back out to Benson, which is only about 10 minutes away. Instead of taking the tactic from last Saturday and drive from one spot to another, I decided to just go to one spot and stay there the entire evening. I think the exercise was fruitful. And even after about an hour of photographing there, I know there are many more hours of photographing to do just at that one location. Edward Weston spent much of his life photographing Point Lobos; he made 29 other photographs of peppers until he finally made Pepper No. 30 (part of me wonders if he finally thought "Eureka!" or if he continued with Peppers No. 31, 32, 33, etc...). Ansel Adams did the same with Yosemite. After years and years in those same places, they still continued to find new photographs to express the way they felt about those places. Back in college when I was living in Rexburg, Idaho, I returned time after time to Texas Slough. Something about that little body of water spoke to my soul. This is my favorite photograph from 2004:

It was so cold, and my fingers fumbled around trying to work my new 5x7 camera, and I stood shivering as I focused, took a light meter reading, and then waited the couple minutes while the film was exposed.

Like I said, I felt pretty successful last night. I took some of the lessons learned from Saturday's outing, and came away with stronger images. At least, I feel more confident in them.

I think I've found my "pepper" in this next photograph. That huge limb that's lying just above the water really drew me in, but this photograph (while I like it quite a lot) doesn't really emphasize that limb the way I'd hoped. I guess I'll have to go back and keep trying however many times it takes to get it right.

Setting Crescent Moon, Marsh, Benson, Utah, 2016

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